贾师古，生卒年不详，南宋画家。汴（今河南开封）人，善画道释人物，师法李公麟。高宗绍兴时为画院祗候。白描人物，颇得闲逸自在之状。尝作《归去来图》，有所谓“一笔法”，甚古雅。梁楷为其高足，名过其师。传世作品有《岩关古寺图》、《大士像》等。

Jia Shigu, whose date of birth and death is unknown, was a painter of the Southern Song Dynasty. Bian (today's Henan Kaifeng) people, good at painting the interpretation of characters, Li Gonglin under the law. When Gaozong Shaoxing was only Hou of the painting academy. A description of a character is quite leisurely and relaxed. Taste "to return to the map", there is the so-called "one brush", very elegant. Liang Kai was more famous than his teacher for his high feet. His works have been handed down from generation to generation, such as "Ianguan Temple" and "Da Shi Statue".

贾师古人物画不仅在人物外在形态上深得传统造型之精髓，而且在传神、气韵、写心上更是领悟深刻。中国的传统绘画强调源于物象，但经过人的知识、经验、文化、品味等的过滤已超越原来的物象。这个物象可以说是“君形”，是主观化了的“形”，这个“形”除了表现原物象外形，还表达原物象内在精神，表达作者的情感和精神，是一个综合体。

Jia Shigu's figure painting not only captures the essence of traditional modeling in the external form of the figures, but also has a profound understanding in the spirit, charm and writing. Traditional Chinese painting emphasizes the origin of the object image, but through the filter of human knowledge, experience, culture, taste and so on, it has gone beyond the original object image. This object can be said to be "Jun form", is the subjective "form", this "form" in addition to the expression of the original appearance of the object, but also express the original spirit, express the author's emotion and spirit, is a synthesis.

此幅作品为贾师古人物故事图，全长9米，其内容为三国中比较经典的三顾茅庐典故，三顾茅庐乃国内家喻户晓的故事了，在此不多做缀叙，整个画面古拙而大气，充满诗意。笔法成熟，深沉流畅。设色明净淡雅，水、墨、色融为一体。其人物线条极为凝练，均着长袍大袖，峨冠博带，衣纹转折处皆作弧形圆转，古雅飘逸，且形容清癯，于寥寥方寸间足见画家功力之深厚。画者将高士形象置于景中，一派闲散姿态。

This "character story map", the whole picture is primitive and grand, full of poetry. The brushwork is mature, deep and smooth. The color is clear and elegant, water, ink and color are integrated. The lines of his characters are very concise, with long robes and big sleeves, and an Eguan belt. All the corners of the garment pattern are curved and round, elegant and elegant. There is no handsome description, which shows the painter's profound skill. The painter will be the image of the high scholar in the scene, a school of idle posture.